With the recent publication of a book detailing his steroid use, Barry Bonds
has become the Tony Soprano of baseball. Bonds has suddenly joined Soprano as
a man whose personal failings and cravings to be something better than he is
have rendered each man visible in stark detail across the land of America via
the flickering images of nightly television. In the past five years, America
has fallen in love with the murderous, philandering, and morbidly obese Tony
Soprano, in the next five will America
also embrace the glowering, cheating, popeye-armed
and chested Bonds? I think the answer is yes for this
reason, as much as we might hate to admit it, each man serves as the perfect
canvas upon which to project our views of American society in the first decade
of the 21st century. While it is arguable that other athletes might
better define the global view of sports in a suddenly smaller world, there is
no athlete who embraces the moral ambiguities and relativities of a striving
America than
Barry Lamar Bonds.

Fortunately for America Tony Soprano has not yet modeled Under-Armour.
Here there is but a sheet between his manboobs and
all of us.
The congruencies between Bonds and Soprano came into
focus this past week through the return of The Sopranos for a sixth
season amidst the bedlam surrounding the publication of what has been hailed
as definitive proof that Barry Bonds used steroids. The significance of these
cultural events on a distinct level cannot be ignored, but combined they paint
a fuller picture of the dichotomies and challenges that ensnare the American
mind at the dawn of the 21st century.
In earlier times it was the American dream to achieve
success through the sheer dent of perseverance, hard work, and self-reliance.
Now Americans have been taught that fulfillment comes not through internal
reliance but through external assistance. Tony Soprano treats himself with
a virtual cocktail of depression medications while Barry Bonds treated himself
to a cocktail of steroids. Each man sought out the warm embrace of a more
complete life via the ensnaring reach of the American pharmaceutical industry.
It is a jarring coincidence that the same year that brought Tony Soprano to
our television screens also led Barry Bonds to begin his dalliance with performance
enhancing substances. Is it any coincidence that these two men of superlative
accomplishment (if one accepts that being a mob boss is the equivalent of
being a boss in most respects) feel the same degree of compulsion to better
themselves through the use of pharmaceuticals as ordinary, less successful
Americans? In the end, aren’t we and they, just trying to be something better
than we truly are.

21st Century normalcy.
Each man has, in a sense, become a reflection of the fullness
of American life. If America
is truly the land of bounty and excess, both Soprano and Bonds personify this
with bodies that seem almost strained to capacity. Tony Soprano through his
eating excesses Bonds through his weight-lifting excesses. In the first episode
of the Sopranos sixth season the scale in Tony’s bedroom can barely register
his weight and metaphorically, American society in the 21st century
can barely register the scope of activity, experience, and expectation that
surrounds each waking moment. Each man’s challenging embrace of the possibilities
of 21st century opportunity offers them the same strain and uncertainties
shared by countless Americans in their daily lives. In their struggle to reach
the fullness of American life, each man is us, and we are them.
Finally, each man is also surrounded by the meditative peace of water. Tony
Soprano often sits around his pool outside his palatial mansion watching ducks
or contemplatively examining the stillness of a New
Jersey pool in winter. Barry Bonds seeks with every
ounce of his being to deposit one home run after another into the cool recesses
of McCovey Cove just over the right field wall of
Pac Bell
Park.

Yet, even for all their similarities America has embraced Tony Soprano for
all of his failings and strivings to be better than he is, and thus far seems
inclined to kick Barry Bonds to the proverbial curb and pursue him throughout
the baseball record book until his name is not garlanded among the stars of
baseball, but rather with the astericks of eternally
unanswered questions. I think this will ultimately change because the personal
battles of one’s own soul have moved from the interior monologue to the exterior
arena of the American countryside. In so doing, the faults and errors of 21st
century America
have become the parlor game of a society of similarly flawed fellow Americans.
The Bible memorably states, “Judge not lest ye be judged;” in 21st
century America after a long enough time we stop judging because there is
someone else, a newer star come to earth, to distract our attention from both
the failings of others and our own. Eventually we’re able to forget almost
any failing because something else draws our attention more.
In A League of Their Own, Tom Hanks, playing a women’s
baseball coach in the midst of World War II, memorably stated, “There’s no
crying in baseball.” Now, at the dawn of 2006 we can definitively say this,
there is lying in baseball. But why should this come as any surprise to our
fan consciousness? The 21st century has already taught us, as if
we’d ever forgotten, that there is lying in business and politics and marriage
and school in war and in peace. So too with baseball and the New
Jersey mob. What these prior examples teach us, is
that we are an eternally forgiving country, a place where the largest lie
on earth ultimately can lead to the reelection of a President. We are all
forgivers, we Americans of the 21st century, and maybe, ultimately,
this is what saves us all from battles with our own personal failings. After
all nothing says 21st century America
better than forgiveness by forgetfulness.